Monthly Archive for October, 2001

The Ministry of Knife & Fork

by Agent Todd

What happens when you ‘Yes And’ a stranger.

It was around 1 PM when I first saw him. I had just finished a job interview and was walking through Union Square on my way home via the L train. He was standing in middle of the southern area of the park in front of an uninterested crowd. The man was black and at least 50 years old. In his left hand he held a yellow pocket radio, and his right hand was clad with a fierce black glove. In front of him lay the Holy Bible. The Doors’ “Touch Me” blared out of the radio, and the man moved about with a style not unlike “Losing My Religion”-era Michael Stipe, as he shouted incoherently. I had to hear the story behind this display; I approached him.

Todd: Hi.

(pause)

Todd: What’s the radio for?
Man: The radio?
Todd: Yes.
Man: The radio is the voice of the people.
Todd: So you see it as a symbol? It represents humanity?
Man: A symbol? The radio is the people. I like the songs. They are familiar to me.
Todd: Are you preaching? I can’t understand what you’re shouting.
Man: Preaching? I am always preaching.
Todd: Is that what the Bible is for?
Man: The Bible? No! The Bible is part of the Trinity.
Todd: And what’s that?
Man: The Trinity is (pointing to radio) the Father, (pointing to Bible) the Son, (pointing to himself), and the Holy Ghost.
Todd: So you’re the Holy Ghost?
Man: Yes. This is my park. I live here. All of these people are my people.
Todd: So you think of all of these people as your congregation?
Man: Congregation? No! We are all a congregation.
Todd: Do you like The Doors?
Man: The Doors?
Todd: The music playing.
Man: I like all music. It is the people.

My curiosity was satisfied. The man wasn’t just some crazy guy playing a radio, dancing, and mumbling about The Bible; he was a crazy guy playing a radio, dancing, and mumbling about The Bible who thought he was the Holy Ghost. I went home.

I returned to Union Square at 6 PM to meet Agent Lovejoy. We had plans to create a scene somewhere in town. As he was walking to meet me in the park, I gave him a cell phone call and told him, “When you get to the park, you don’t know me.” The man was still there, still playing the radio, and still moving and shouting.

One of the most important concepts in improvisation is that of `Yes And’. During a scene, experienced improvisers will take their partner’s statement and both agree with and add to it. Agreement is key. For example, if one player begins a scene with the line “These reports are all wrong!,” his partner may Yes And him by replying, “Sorry boss. I’ve just been so wrapped up with my divorce that I can’t seem to do anything right these days” (i.e., “YES I accept your offer of being my boss, AND I will add to the scene by revealing that my work is suffering due to my personal life”). I decided to see what kind of scene I could create if I Yes And-ed the guy in the park.

Todd: Hi. Remember me? I’ve been thinking about everything you said earlier today, and it’s really starting to make sense.

(pause)

Todd: Do you need any followers? I really want to learn more from you. I could be a disciple or something.
Man: Hold this.

The man gives me a plastic knife and fork (I’m assuming he used them to eat lunch earlier in the day). I hold on to them in one hand, tightly. The man begins to walk away.

Todd: (shouting after him) What do I do with the knife and fork?
Man: (shouting as he walks away) You will understand! I will return! You will understand!

I stand by myself and follow his instructions. Those sitting in Union Square begin to stare, point, and whisper. Agent Lovejoy arrives.

Lovejoy: Excuse me sir? Why are you standing there with a knife and fork?
Todd: What? Oh…they were given to me by this guy that preaches here. He told me to wait here.

Lovejoy reveals that he is a priest of Scientology and tries to convince me to come with him and learn more. I thank him for the offer but I insist that I must wait for the preacher man to return. Two punks, seated nearby, enter the conversation.

Punk 1: Why is it so important to you to wait on him to come back?
Todd: What do you mean? He told me to.
Punk 1: But why is does it matter so much? You don’t even know that guy.
Todd: I don’t know…I guess I’m just really confused right now.
Punk 2: And you’re looking for something to ground you?
Todd: Yeah. I think that’s what we’re all looking for. After everything that’s been going on… I just feel so lost. I looked at this guy and it was clear to me that he knew exactly what he is supposed to be doing.

The man returns. I rush to meet him. I’m still clutching the knife and fork.

Todd: (yelling) I’ve been waiting! I’m still holding on!
Man: Yes. Yes. Yes, you have. Let’s go.
Todd: Yes! Let’s get out of here.
Man: Come with me. We are going places.
Todd: Yes, we are. We’re going to new places together.
Man: We are going places.

I follow him and we begin to head south. Lovejoy trails a step behind us, still trying to convince me to go with him. Despite the glaring `Don’t Walk’ sign, and the steady traffic, the man crosses 14th Street with out looking. I’m right there with him. 2 cars slam on brakes and screech to a halt as we cross the street. It was like Moses parting the Red Sea.

Man: People must learn to deal with me!
Todd: You’re absolutely right. They must learn to deal with us! We’re here!

We continue on our walk and turns out that the `place’ we are going is a corner store where the man can buy a coffee. He opens up his backpack, revealing several bottles of prescription medicine. He over pays for the coffee by about a dollar, throwing the money at the register.

Man: Money! Money! Money! Everyone wants money! They will never say no to money. Money is nothing!
Todd: Yeah! We don’t need money! All we need is ourselves.

We walk back to the square and sit down. The two punks are still there and are now laughing out loud at us. I am still holding on to the knife and fork. The man hands me the coffee.

Man: You will take the first sip.
Todd: I don’t even drink coffee, but I’m going to take a sip, anyway!
Man: Yes, you are. Of course.

I take a sip. He smiles and takes his own sip.

Man: Now we are brothers.
Todd: We are brothers. I can feel it.
Man: We learn how to share.
Todd: We share this coffee together. People will learn to deal with us.
Man: I am waiting for my bride.
Todd: I am, too. I know she will be here soon.
Man: My bride is a woman. She is not a homo.
Todd: I know. How long have you been waiting?
Man: Many years. She will meet me here. I live here, in the park.
Todd: I’m sure our brides will find us.
Man: Drink more coffee.
Todd: Thank you.

Improv Everywhere Mission
Minister and Disciple

We sit in silence for a bit. I ask Lovejoy, who has given up on converting me to Scientology if he wouldn’t mind taking a few pictures of my new friend and me. The man is very happy to be in the pictures. We say `brothers’ instead of `cheese’. I tell him that I must go, but that I will return to visit him. We hug and part ways. Lovejoy sits down near the punks.

Punk 1: Did you know that guy?
Lovejoy: No.
Punk 1: So you’re just intervening?
Lovejoy: Yeah…he seemed a little lost.
Punk 2: You’ve got to protect people from the crazy people. What do you do?
Lovejoy: I’m a priest of Scientology.

(awkward pause)

Punk 1: Well, I like to intervene by throwing rocks at old people.
Lovejoy: (serious) I guess that intervenes with their life.

(pause)

Lovejoy leaves.

Improv Everywhere Mission
“Brothers”

All in all the mission was fantastic experience for me, and I think the man (we never exchanged names) had a great time, as well. It was exciting to see the world from a completely different perspective, and I think I was able to make the scene as exciting as possible (without angering, offending, or making fun of the man) simply by agreeing with every ‘offer’ I was given.. I suppose I could have made more offers of my own, but this guy was doing some pretty damn great work by himself. Mission accomplished.

Parallelogram in NY

The Union Square Reunion Show

Improv Everywhere mission

The Shogun brothers reunited.
The first Parallelogram show in months.
And the ‘liberal’ media still ignores them.

Those who have been following the careers of half brothers Dustin and Mac Shogun are well aware of the difficulties they have encountered in their attempts at musical success.  But even the die-hard Parallelogram fans were shocked in July of 2001 when Dustin fled Goldsboro, NC for a solo career in New York City.  Some said that the brothers would never perform together again.  They were wrong.

After weeks of lonely, unsuccessful performances in Manhattan, Dustin met someone who would forever change the way he looked at music, friendship, and even life itself.  He called himself ‘Edmund’ and claimed to have a last name, but was unable to remember it.  Edmund, a tall quirky guy who has never been seen in public without his red storm jacket and blue backpack, was playing his harmonica in the Greenpoint Avenue ‘G Train’ station when Dustin discovered him.  Dustin recalls, “He was just standing there with that big rain coat on, right in the middle of the summer.  I new that he would totally know how to jam.”  Edmund, who now calls Dustin his ‘eternal only friend’, was skeptical at first, “I saw him in the train and he said ‘hello’ and I didn’t say anything and I just played my harmonica like I didn’t hear him.  Sometimes I act like I can’t speak English or that I’m hard of hearing because it protects me just like my red jacket protects me.”  Eventually Edmund looked up and saw the microphone in Dustin’s hand.  He recalls, “He asked me if I wanted to jam.  I said, ‘Do mailboxes stand upright?,’ and he laughed.  Then we jammed.”

Improv Everywhere Mission
Mac Shogun arrives in New York

On October 19, Mac Shogun hitch-hiked all the way to New York to visit his half brother.  He brought his guitar along for the ride, holding out hope that Dustin would want to perform.  “When I got to the city and saw Madison Square for the first time in person, I knew that Dustin and I were destined to play again.  We were going to play in the same city that Aerosmith had played in.”  Jealous tensions flared between Mac and Edmund, but the two finally agreed to perform together with Dustin under the name Parallelogram.  According to Dustin, “It was totally perfect.  I got to play with Mac again, and Edmund got to totally be a part of it.  We finally had the right number of jammers again.  I can’t be Parallelogram by myself.  It takes three.”

Improv Everywhere Mission
The World’s Most Famous Subway Platform:
Union Square Garden

The trio headed for the ‘L Train’ platform in the Union Square station where tens of people would eventually congregate to wait for their ride home.  The ultimate cover band was back.  As usual, the band worked solely on audience requests, covering the Pet Shop Boys, Brittney Spears, the Pixies, MC Hammer, Elvis, and The Beatles, just to name a few.  Despite’s Mac’s plea of ‘We don’t want any money’, the band still managed to make two dollars, and sent the Brooklyn-bound crowd home with a smile.

Improv Everywhere Misison
Mac Shogun, ‘Edmund’, Dustin Shogun

The show was a complete success for the band, and Dustin and Mac ended up performing for the crowd on the train ride back to Williamsburg.  The two closed the show with a ’slow-jam’ version of the Beastie Boys’ hit “Sabatoge”, and a special ‘L Train’ rendition of Dr. Dre & Tupac’s “California Love”.  Mac remembers, “It was a beautiful moment.  I really feel like New York City is the big time.  I can go back to Goldsboro now and tell Dignon and everyone that I know what’s like to play at the famous Union Square.  Sure, Dustin is sharing a room with seven other people in a real small apartment,  but he’s making ends meet, one quarter at a time.”   Does this mean that Parallelogram is back together?  Dustin isn’t sure, “It was totally hip to play with Mac again, and I totally wish he lived here.  For now, I’m going to focus on jamming with Edmund.  He’s got some amazing catch-phrases that I think could totally get us money.  At this show we made $2 in twenty minutes.  That’s $6 an hour, and that is way above minimum wage.  And unlike everyone else, Edmund and I aren’t just working 9 to 5, we’re jamming 24/7.”

Similarly, the spirit of Parallelogram will be ‘jamming’ 24/7/365.  In the shotgun.

The Subway Series

Featuring Agents: Lovejoy, Todd, and Keech

Improv Everywhere Mission

Why just ride the train, when you can take everyone on a ride?

The New York City subway. As intricate and fascinating a system it is, it’s usually not the best place to go looking for joy and happiness. People keep to themselves as they read, tune out with earphones, or simply stare at the ground. In the summer it’s too hot, and in the winter it’s too cold. There’s really not much going besides the never-ending process of waiting.

Sure, every now and then some sort of performance occurs on a train, maybe a break dancer, a singer, or a sad soul telling his life story, but the performance is always followed by a request for money. The trapped audience knows that the plead for donations is on the way, and most folks try to ignore what’s going on so as to not feel compelled to pay for it.

But the typical subway ride is dead silent. When people do talk to each other on the train, everyone else listens. This is what IE agents Keech, Lovejoy, and Todd have taken advantage of: a venue where everyone is ready to listen and has nothing to lose.

Mission One: The Long Lost Brother

Lovejoy and Todd enter the crowded, rush hour train separately. Moments into the ride Lovejoy taps Todd on the shoulder and the scene begins:

Lovejoy: Excuse me.
Todd: Yes?
Lovejoy: Were you by any chance adopted?
Todd: What? … Yes.
Lovejoy: Really? Because I have this photo at home of my birth brother… and it really looks like you.
Todd: Oh. Okay.
Lovejoy: Where are you from?
Todd: South Carolina.
Lovejoy: Really? No way. That’s where I grew up.
Todd: Wow.

(awkward pause. the entire train is now listening.)

Lovejoy: You don’t by chance have a birthmark on your right thigh do you?
Todd: Yes… yes… I do. I do.
Lovejoy: I can’t believe this… this is…
Todd: Are you sure…
Lovejoy: This is amazing…
Todd: You live here?
Lovejoy: I’ve been looking for you for years…
Todd: I don’t believe this is happening…
Lovejoy: …and now I find you on the train…

(Todd and Lovejoy hug. Those surrounding them are smiling with joy.)

Lovejoy: I’m Allan Richards.
Todd: I’m Robert Patterson… or I guess, Richards!
Lovejoy: This is so wonderful. What stop are you on?
Todd: The Rego Park stop.
Lovejoy: I live at the Steinway stop!
Todd: That’s like 5 stops from me!
Lovejoy: I know, can you believe we’ve been living so close to each other?
Todd: This is so unbelievable.
Lovejoy: Maybe you’d want to come over this afternoon for a coffee or something.
Todd: Yes… that would be great.

The entire car was visibly touched by this heartfelt reunion of the brothers that had never met. Lovejoy and Todd were on the verge of tears. The scene ended up developing into a less inspiring outcome. Todd revealed he was a devout Baptist Christian, and Lovejoy informed him that by birth, he was Jewish. Todd became very uncomfortable with the knowledge that he was Jewish by ethnicity and that his birth family did not share his beliefs. The happiness the two shared for their reunion was replaced by awkward silences. Todd agreed to visit with Lovejoy, but “for only a few minutes”.

Did those riding the train believe that they had just witnessed a real reunion? Yes. Is that the point? No. The train was taken from it’s normal overcrowded and irritated state to an intriguing scene that, regardless of the awkward outcome, will always be a great story for those who witnessed it.

Mission Two: The Shoes

Keech and Todd enter the train separately. Keech seems to be having difficulty figuring out which stop he needs to get off on.

Todd: Are you lost?
Keech: No.

(pause)

Todd: What are you a tourist or something?
Keech: No.

(pause)

Todd: You go to NYU?
Keech: Yeah.

(pause)

Todd: So your parents pay for everything you do.
Keech: Is there something wrong with that?
Todd: Dude, I was just trying to help you figure out where you’re going. You don’t need to start a fight, man.
Keech: I’m not trying to start anything. I just don’t appreciate you calling me a tourist and insulting me.
Todd: I’m not insulting anyone. What’s your problem? You think just ’cause you’re rich you can be an ass on the train?
Keech: What’s your problem?

(long pause)

Keech: Hey man. I’m sorry about that. I don’t know why that had to happen.
Todd: Yeah. Sorry man. I’ve just had a long day. It’s cool.
Keech: Hey, do you want to trade shoes?
Todd: What?
Keech: Let’s trade shoes.
Todd: Okay. Sure.

(Keech and Todd trade shoes. The train stops, and both exit, separately.)

Mission Three: The Jacket

Inspired by the success of the shoe scene, Keech and Todd took it to the next level with this mission. Once again Keech and Todd entered a subway car, separately. Keech is wearing a newly-purchaed jump suit; Todd is wearing blue jeans and a gray polo shirt.

Todd: Hey man. Where did you get that jacket?
Keech: I just bought it in the village.
Todd: Cool.

(pause)

Todd: Man, I’ve been looking for a jacket like that for a long time.
Keech: Yeah. I like it.

(pause)

Todd: Hey, do you think I could try your jacket on?
Keech: Try it on?
Todd: Yeah, I just want to see how it looks on me.
Keech: Um… yeah. Sure. I guess. Can I try your shirt on?
Todd: You want to try this shirt on?
Keech: Yeah.
Todd: Okay. I don’t know why anyone would want this boring shirt, but sure, whatever you want.

(Todd takes off his shirt and Keech takes off the jacket. They trade. Most people sitting around them are fighting back laughter. Some are unafraid and laughing out loud.)

Todd: Man! This jacket is awesome! It’s just what I’m looking for. How do I look?
Keech: You look great.
Todd: How much would you want for this.
Keech: You know what… why don’ t you just keep it.
Todd: What? Really?
Keech: Yeah. This shirt fits me fine. Just keep it.
Todd: Thanks! This is so cool. Thank you so much!

(A woman in back of train can’t stop repeating, “They HAVE to know each other!”. Young man sitting across from Keech is laughing so loud he has to cover his face with his hands. There is a long pause.)

Todd: You know, those pants you have really match this jacket perfectly.
Keech: You don’t…
Todd: Maybe you could at least tell me where I could buy them?
Keech: You want to try them on?
Todd: Well…yeah, I do. Do you want try my jeans?
Keech: I don’t know if they’ll fit me, but yeah, let’s do it.

(Woman in back of train screams, “No, they’re not! No way!” Todd takes off his shoes and jeans and is now standing in his boxer shorts and jump suit jacket. He waits as Keech tries to untie his shoes. Keech takes his sweet time.)

Keech: You know what? I really don’t think those jeans are going to fit me. This isn’t going to work.
Todd: So you’re not going to let me try on your pants?
Keech: No, I don’t think so.
Todd: So you’re not taking your pants off?
Keech: No.
Todd: This is great. You get me to strip down in my underwear and embarrass myself in front of all these people, and then you tell me I can’t even try on the shorts!?
Keech: I’m sorry. There’s just no point. You can keep the jacket.
Todd: Well. Thanks. Thanks for humiliating me in front of the whole train.

(Todd puts his pants and shoes back on and walks to the other side of the train. He sits and stares at the ground, embarrassed. The next stop, Todd gets up and leaves the train. Keech stays.)

Those left on the train try to get Keech to admit that he knew Todd. Keech denies it until the end and claims, “After all that this city has gone through, isn’t it time to do nice things for strangers? That guy needed the jacket more than I did.” Did those on the train believe that Keech and Todd really didn’t know each other? Probably not. Were they treated do an unexpected dose of comedy on their way home? Absolutely. Missions Accomplished.

The Caricaturist

Featuring Agents: Lovejoy, Todd, and Rosenbaum

Improv Everywhere Mission

He can’t draw, but he sure can cause a scene.

IE Agents Lovejoy and Todd were ready to stage another Central Park mission.  Will they avoid the wrath of the evil park ranger this time around?  Read on and find out!  Todd borrowed a chair from a nearby cafe by paying a $60 deposit to the manager.  Lovejoy took the chair and set up on the edge of the park, right around 62nd and 5th Avenue.  He positioned himself in the middle of a group of about 6 portrait artists.  The going rates were $50 for a realistic drawing and $5 for a caricature; Lovejoy offered his drawings for twenty-five cents.

Improv Everywhere Mission
Rosenbaum casually reads while Lovejoy draws a customer.

Lovejoy made a sign advertising his ‘quarter drawings’ and attempted to get customers.  The other portrait artists were visibly irritated at his rock bottom prices.  In the meantime, Improv Everywhere associate Rob Rosenbaum takes a seat on a nearby bench and keeps to himself, reading a book.  Unnoticed by all, Rosenbaum has a video camera hidden in his lap and records the entire mission!

Improv Everywhere Mission
Wait a minute! It’s hidden camera time!

Business is slow for all of the portrait artists on this Sunday afternoon and all are having difficulty stopping potential customers as they walk by.  Perhaps out of boredom, or perhaps just out of curiosity, one of the artists (pictured above in the denim jacket) approaches Lovejoy and requests a twenty-five cent drawing.  Lovejoy takes about ten minutes to complete his drawing.

Improv Everywhere Mission
Lovejoy draws his peer while a third artist looks on, with suspicion.

The final product is horrible.  The ‘art’ is on the same skill level as the average fourth grader.  Lovejoy declares that he will give the drawing to the man for free as he is a fellow artist.  The man, who does not speak very good English, is very happy with his free drawing and returns to his chair to solicit customers.

Improv Everywhere Mission
Lovejoy autographs his masterpiece.

Enter Agent Todd.  Todd walks by the artists and expresses interest in getting a portrait made.  All six artists aggressively bid for his business, and Todd eventually settles on Lovejoy, paying him $20 for a portrait [at this point the twenty-five cent drawing idea has been ditched].  The other artists are NOT happy with the fact that the ‘new guy’ has won the bidding war.  One of them (the female Asian seen two photos above) is so upset that she moves her chair right next to Lovejoy and begins to draw Todd at the same time.  She eventually gives up and stops drawing when Agent Todd makes it clear to her that he is not going to pay her for it.  He is happy with the artist he has selected.

Improv Everywhere Mission
Todd becomes skeptical.

Things take a turn for the worse as Lovejoy refuses to show Todd the progress he is making on the drawing.  He begins to ask those walking through the park to look at the drawing for him, “Hey, does that look like me?  I think I’m getting ripped off here!”.  For some reason, Todd could not get a straight answer from anyone.  The other artists refused to comment on the drawing; one claimed with a smirk, “it would not be right to critique another artist’s work in front of a customer”.  Todd became increasingly irritated and began to demand that Lovejoy “hurry up” and insist that the drawing “better be good”.

Improv Everywhere Mission
The Drawing.

After thirty minutes of drawing, Lovejoy finally shows Todd the results.  Todd is furious.  He begins to shout, “Hey!  Does this look like me!?  I paid $20 for this crap!  Do NOT go to this guy.  This is a rip off!!”  Those walking through the park begin to stop and a small crowd forms.  Todd begins to demand his money back, “I want my $20 back.  That’s the least you can do!”.  Lovejoy flatly refuses.  All sales are final.  Members from the crowd begin to shout at Lovejoy, telling him that Todd deserves a refund.  He continues to refuse.  One of the other caricature artists approaches Todd and out of pity, offers to do a free drawing of Todd.  Todd accepts.

Improv Everywhere Mission
Agent Todd?

Todd calms down and poses for his free caricature.  The other artists begin to approach him to talk about what happened.  They all assure Todd that they have never seen Lovejoy before and that he is not a real artist, but a con man.  In the meantime two workers in the nearby cafe have witnessed everything that has happened and are furious that the con man stole a chair from their cafe to perform his dirty deed; they leave the scene of the crime and return moments later with Leo, the security guard.  Leo is not happy with Lovejoy.  “Hey buddy, you got some nerve.  You ain’t gonna be stealing no more chairs, son.”  Lovejoy protests that he paid a $60 deposit for the chair.  “You didn’t pay no $60 for nuthin’.  We don’t loan these chairs.  You are lying to me, son!”  Leo leaves to get more security guards to deal with Lovejoy, and all of the sudden it looks like our IE Agents are in trouble.

The only person who can straighten out the problem is Agent Todd (who borrowed the chair in the first place), but he’s stuck in character posing for his caricature.  He tells the artist that he is in a hurry, and fortunately the artist is able to quickly finish up (perhaps this is why the caricature is so bad?).  Out of guilt, Todd pays the artist his full price of $5, thanks him, and leaves the scene.  He is able to get his $60 deposit back from the manager and skip town before the angry Leo returns.  Our hidden cameraman, Rosenbaum, is able to stay in the park to watch the aftermath and record people’s reactions.

Other highlights:

  • Woman finds Lovejoy’s drawing so terrible, that she takes a photo of it.

  • Conversation between the two cafe workers, after Todd and Lovejoy left:
    • One: First I thought it was some kind of joke. It was so terrible.  But then that guy started getting so pissed off, “I got ripped off!  I got ripped off!”

    • Two: That was the craziest thing I ever saw.
    • One: Man, I felt sorry for that guy.  I couldn’t believe it.
    • Two: Yeah, he’s a tourist.
    • One: That artist guy had balls, though.  I can’t believe he followed Leo all the way to the cafe!
  • Lovejoy explains to a woman that he has created a new form of art, “neo-bleeberism”.
  • After Todd and Lovejoy have left, woman is heard saying, “He asked me if it looked like him, and I wanted to bust out laughing!”

The agents were able to avoid the evil park ranger, but Leo may be even worse!  Mission Accomplished.